Seen and Heard International, Mark Berry
As Cherubino, Esme Bronwen-Smith captivated th[r]ough force of personality and similar attention to detail. Martins Smaukstelis did likewise as Basilio, an intriguingly chameleon-like portrayal, boasting notable ease in Italian as well as a finely expressive face. The very different, more diffident impression presented by his Don Curzio confirmed the individuality of portrayal.
Seen and Heard international, Mark Berry
To make it so, of course, requires not only sensitive continuo realisation but also sensitive — and dramatic — vocal artistry. Here a number of singers excelled, showing considerable stage gifts too. Martins Smaukstelis was first among equals as Egisto, wounded, external heroism and inward anguish expressed by all manner of subtle gradations.
Planethugill
The Act Two scene with Murphy's Headman, Martins Smaukstelis's Distiller, Claire Barnett-Jones's sister-in-law and Henry Neill's clerk was a complete comic delight. One long sustained sequence where the four singers each created a strong sense of comedy, both aural and visual from Smaukstelis's supercilious man of the world (complete with pipe), through Barnett-Jones's completely over the top femme-fatale act to Neill's precise pomposity.
Bachtrack
Both Martins Smaukstelis as the Distiller and Henry Neill as the Clerk despatched their roles with aplomb.
Martins Smaukstelis is a Latvian-born tenor and the winner of the Emmy Destinn Awards 2024. He recently made his debuts in the roles of Rodolfo in La bohème (The Opera Makers), Duke of Mantua in Rigoletto (New Opera Singapore), Tamino in Die Zauberflöte (Nevill Holt Festival) and most recently the role of Vladimir Lensky in Eugene Onegin (HGO).
Previous roles include Prince in Dvořák's Rusalka (New Opera Singapore), the title role in Cavalli's L'Egisto (HGO), and Spoletta in Puccini's Tosca (Devon Opera). He has sung in John Ramster's iconic staged Messiah with Merry Opera, and created the role of Prince
Charming in their Cinderella23. Martins also created the role of Adrian in Hopes & Fears, based on Debussy's L'enfant prodigue, and has sung the roles of Heinrich in Ethel Smyth's Der Wald and Faust in Lili Boulanger's Faust et Hélène in concert performances, with The Opera Makers.
A Masters of Arts graduate of the Royal Academy of Music, Martins began his music career as a violinist. He has sung with some of the most prominent companies including Glyndebourne Festival, Garsington, Wexford and The Grange Festival. He enjoys performing in concert and oratorio, with past performances including Mozart's Requiem at St Martin-in-the-Fields, Beethoven's 9th Symphony and Mozart's Coronation mass with the Buckingham Choral Society.
Hopes and Fears with The Opera Makers
as Adrian with Nina Bennet and Pauls Putnins
Photo by Marc Gascoigne
Hopes and Fears with The Opera Makers
as Adrian
Photo by Marc Gascoigne
L'incoronazione di Poppea with New Opera Singapore
as Lucano with Jonathan Khoo
L'incoronazione di Poppea with New Opera Singapore
as Lucano with Leslie Tay